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Volume 31--Number 7• July 31, 2007 Serving Portland, Surrounding Areas, and Seattle

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Jeff Oster -- True
Seattle Spotlight


Jeff Oster -- True
Jeff Oster -- True

By Patrice Raplee

Melody and pulse spin outward in a fusion of vibrant musical dialogue that soars through spatial imagination and passion to create astonishing dimensional compositions. Jeff Oster’s new CD True is the brilliant formation of this congruent expedition.

Oster’s musical expression of flugelhorn and trumpet opened up an original sphere in the New Age/ World-Jazz genre last year, with his debut CD entitled Released. A CD infused with harmonious structure and moving, fluid sound captivated fans and critics alike. True embarks on a deeper exploration of Oster’s innovative musical style, with an accompaniment of premiere musicians and co-writers. The line-up includes phenomenal musician and producer Will Ackerman, of Windham Hill, who produced True.

World-class musicians include Keith Carlock, drums; T. Bone Wolk, guitar and bass; Philip Aaberg on piano, synthesizer; and Michael Manring, bass. In addition, Oster also enlisted the incomparable vocal talents of Melissa R. Kaplan, Ugandan artist Samite and Noah Wilding.

True conveys multiple music configurations, yet seamlessly arrives in a cohesive expression. The album’s tracks stratify from cosmos to world ethos with varying intensity, intonation and beat. Saturn Calling, the leading track, incorporates the sounds of Saturn’s auroras recorded by NASA’s Cassini spacecraft. The orchestral feel of the piece has the majesty of an Olympic flourish, with an ethereal wind softly echoing from the auroras.

The second track teams Oster with Jan Pulsford (Cyndi Lauper and Chico Freeman) on This Place, to create a melodic flowing tune with an interesting beat that sustains the structure.

Serengeti traverses a soft jazzy timbre and then leads into a verbal passage by Ugandan vocalist Samite in his native language. The lyrical spoken words impart the ancient pattern of life in the Serengeti and the importance for humankind to recognize a land vital to all. Oster continues his channel of compositions with a beautiful arrangement entitled Violet, which he co-wrote with hard-rock drummer Patrick Gorman. Gorman performs an alluring mellifluous electric guitar lead that harmonizes with Oster’s gentle flugelhorn in a parallel, melodic dance. An interesting departure for Gorman however; this musician demonstrates his adeptness as a consummate multi-faceted artist.

Ackerman unites with Oster on undoubtedly one of the most beautiful tunes on True, with On One Knee. Ackerman reigns unparalleled in an acoustic guitar voice, performing with a resonance that eloquently blends with Oster’s phrasing. These two artists, along with pianist Philip Aaberg, compose a compelling sonnet of love.

The additional tracks on True forge an arena of sound influences from Tibet, India and Aboriginal, with a few pieces that relay an upbeat yet flowing score. This current CD is not so much a departure from Oster’s previous release, but an expansion of technique and approach on the flugelhorn and trumpet to cross musical genres.

Oster’s unique style has garnered wide appeal. When asked about his methods for composing the tracks on True and the album’s concept, he replied, “There was no plan. The work culminated from looping sounds that built a foundation. My horn parts were secondary and then the process evolved from the initial elemental ideas. The title True is a pure representation of who I am. No matter where I am in the world, I can communicate with my horn better than I ever could with words.”

Oster has achieved an incredibly brilliant album that stands unique in its artistry. The persuasive resonance of this music is sure to attain a wide veneration.

The release date for Jeff Oster’s True is Aug. 28. For additional information on Oster or to pre-order a copy of True on CD, visit: http://www.jeffoster.com or go to http://www.amazon.com.

 

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